What would happen if there is a wrinkle in the shirt when you printed? It would end up just like when you put a wrinkled piece of paper through a regular printer — it comes out wrinkled! What advantages does the DTG M2 have over cartridge-based printers? All of the cartridge systems on the market will only let you print on 1 garment at a time, the M2 will print on up to 4.
Does the print heads clog if no activity for a while? If you never use the printer, the heads will eventually clog. But the WIMS and good maintenance make this very rare. What is the process of pre-treat? Use RipPro C6. It comes with the new DTG printers and is made specifically for them. Would you ever need to pretreat a light color shirt? We recommend that you do pretreat light garments. How many washings with you be able to get per garment? Does the ink crack over time?
How long your DTG printed shirt lasts depends on several things: i. The quality of the shirt ii. How well you pretreated it iii. Do you sell the pre-treatment solutions as well?
All of the inks and pretreatments are sold by Colman and Company. They also sell embroidery, rhinestone and spangle supplies. How long can the machine sit without running? If you want to leave it for more than a few days then we suggest a system flush. When bootstrapping a t-shirt startup which printer would be best to start off with? M2 or Viper? The M2. Do you have a problem with the print heads clogging?
Nope, we do our daily maintenance, so no issues. What settings work best for underbase application on a black shirt? Mine is very light even on the strong setting. There are presets right in the RIP, but lots of adjustments you can play with too. Would this machine be good for large runs? How much time do you have? Please write in the order comments what brand and model garment printer you have. New interactive white ink controls have been added to this powerful software RIP.
The new controls for masking and silhouetting work with backgrounds that are transparent, black or colored. With the newly added density and contrast controls you can create more accurate white layers. On other images you can drop a background color without having to bring the image into Photoshop. Photoshop does an excellent job, but having to jump back and forth between Photoshop and the RIP is not as cost efficent for white layer creation as making the white layer directly in the RIP.
The ideal way to reproduce this image is with soft edges fading gently into the background. To achieve soft vignettes we make adjustments to the white and color layers to produce the effects we want.
The V6 RIP's white ink density and contrast controls allow us to adjust the white ink layer. Report Piracy here. NOTE : Buy only from authorized resellers to ensure that you are buying original authorized software.
I am relieved that I discovered the complexity during the free trial period as it led me to look elsewhere. While I want to provide quality prints for my customers, I also know I do not have an unlimited amount of time to become familiar with Digital Factory as I had my orders to fulfill. I needed something that was easy to use but still provided a quality that I felt confident to provide to my customers. Once I received the trial version, All American sent me a follow-up email with the links that were necessary to complete installation.
While the interface appeared overwhelming at first, watching the short videos was informative enough for me to get started without having to talk to a technician or representative. Ink Costs. With each rip software claiming to be able to provide me savings on ink, I was surprised that C-Breeze did not easily calculate the ink cost for me.
It is a rather manual process that requires manual processing once prints have been processed. By inputting my own personalized costs, Kothari automatically calculates the cost of each print based upon how much ink was used. Color Management and Quality. When comparing the same image printed on the same garment type but through the different rip software, the color accuracy from the original image on the screen and the image on the garment were painfully obvious. While all rip softwares boasts their ability to control the layers of white and improve color accuracy, the final products proved otherwise.
The same image printed through C-Breeze was entirely off from the image that was on my computer screen. I ran the print several times in order to get my desired result but ultimately decided to run the final print through Garment Creator instead.
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